Vol. 9 No. 50 August 20 - 26, 2004

Nuestra Se–ora de Censorship

Who says the Virgin of Guadalupe canŐt be sexy?

by Gustavo Arellano

Mother of God! Our Lady by Alma L—pez

When she appeared to Juan Diego outside Mexico City in 1531, the Virgin of Guadalupe was dressed in the style of the time: billowy dress blown about her by some divine wind perhaps and kept in place by a sash; a splendorous cape flowed from her hair to the ground. But when it was announced that she might appear at the Fullerton Museum Center later this month in the style of our timesŃthatŐs half-nakedŃthe Catholic Church went nuts.

And not just the Catholics. Chicano nationalists and museum officials quickly joined the Diocese of Orange in agreeing there would be no naked virgins appearing in Fullerton.

The controversy started on Aug. 1, when Ernesto Cienfuegos, editor of the Chicano nationalist website La Voz de Aztl‡n (, attacked Fullerton Museum Center Director Joe Felz for including "decadent lesbian artist" Alma L—pez in a exhibition titled "The Virgin of Guadalupe: Interpreting Devotion."

L—pez has been the subject of outrage before. Her mixed-media effort Our LadyŃa piece re-imagining the Virgin as a sexy Chicana, roses strapped across her breasts and pelvic area, legs and a firm abdomen exposed for all her children to seeŃprovoked demonstrations when it debuted at a Santa Fe art gallery in 2001.

In his e-mail to Felz (which was ccŐd to Fullerton Mayor Mike Clesceri and other high-ranking city officials), Cienfuegos wrote that Our Lady "denigrate[s] the values of [Mexicans] in collusion with those in the homosexual and lesbian lifestyles and of those others who have a deep hate against us." Felz immediately went on the defensive. In a confidential e-mail the following day to those same Fullerton officials, he wrote, "Be assured the information in the e-mail is FALSE. The Museum is NOT showing the controversial piece [Our Lady] as stated by ÔLa Voz.Ő"

Too bad. Felz went on to reveal that the museum would exhibit another Guadalupe-themed L—pez work, Mar’a de Los Angeles. That pieceŃthe Virgin fully clothed, generations of women looking on in wonderŃlooks like a promo for an Edward James Olmos-produced PBS special underscoring the all-American virtues of Latino family life.

Mar’a "is in no way derogatory and is meant to indicate the significance of the Virgen de Guadalupe for contemporary female artists," Felz explained. "Ms. L—pezŐs personal life and other issues are of no concern to us as a public institution, as they have no mention (or place within the context) of the exhibit."

Felz also revealed that "the Museum has had an Advisory Committee in place for this exhibit from its conception" to ensure that local Latinos wouldnŐt be offended. One of committeeŐs members is Orange diocese Bishop Jaime Soto.

"[The Virgin of Guadalupe] has constantly been reinterpreted for centuriesŃthis is nothing new," Soto told the Weekly. "ThatŐs what makes her so live and vibrant. ItŐs because of reinterpretation. ThatŐs the beauty. As ancient as it is, it still has more to say. The story of Our Lady didnŐt end with the appearance to Juan Diego. . . . To that extent, weŐre all part of the story."

Having said that, Soto admitted he isnŐt up for L—pezŐs versionŃitŐs apparently too racy.

ItŐs no stretch then to figure that SotoŐs opposition to Our Lady played a role in its exclusion from the Fullerton Museum CenterŐs exhibit. The highest-ranking Latino in the Orange diocese, Soto is the unofficial custodian of Latino Catholic imagery and customs in the county.

"Everyone interprets the image by their own experience and views," counters L—pez. "I try to be truthful to myself and my experiences in what IŐm trying to say."

In re-creating a "beautiful and strong" version of Guadalupe with Our Lady, L—pez says she was only following in the footsteps of other Chicano artists who imagined the Virgin as something more than a static image borrowed wholesale from the late Middle Ages. San Diego-based artist Carmen Kalo, for instance, has imagined her as a Zapatista. And in Goddess, University of Arizona professor Alfred Quiroz cloaks a vagina with GuadalupeŐs fiery halo.

L—pez says Our Lady was directly inspired by Sandra CisnerosŐ 1996 essay "Guadalupe, the Sex Goddess."

"When I see La Virgen de Guadalupe," Cisneros wrote, "I want to lift her dress as I did my dollsŐ and look to see if she comes with chones [underwear], and does her panocha [vagina] look like mine, and does she have dark nipples, too? Yes, I am certain she does."

The Fullerton Museum Center doesnŐt plan to include those Guadalupe interpretations, either.

Raymond R. Beltr‡n contributed to this report.